Pierced Arrows Straight To The Heart Rar
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Involve art more directly with the political realities of everyday life.' 461: (Like a point from which two arrows go out in opposite. Heart of the Index's function, though this connection isn't physical in. Language systems was pierced. Album: Pierced Arrow Label: 429 Records. Made in Catalog #: FTN16054 Style: Blues-Rock Released: 2016 Format: FLAC (image +.cue) Quality: lossless Covers: Complete set (400 dpi) Amount of tracks: 10 Size RAR: 343.97 MB.
Contents.History Origins of symbol Heart-shaped leaves were used in artistic depictions of the: a heart pendant originated from there has been discovered and is now exhibited in Delhi national museum. In the 6th-5th century BC, the heart shape was used to represent the heart-shaped fruit of the plant, a plant possibly used as a contraceptive.
Many species in the have properties, and some, such as, were used to induce abortion. Silver coins from Cyrene of the 6–5th BC bear a similar design, sometimes accompanied by a silphium plant and is understood to represent its seed or fruit.
Earliest use. The earliest known possible visual depiction of a heart symbol, as a lover hands his heart to the beloved lady, in a manuscript of the, mid-13th century.The combination of the heart shape and its use within the heart metaphor developed at the end of the, although the shape has been used in many ancient epigraphy monuments and texts. With possible early examples or direct predecessors in the 13th to 14th century, the familiar symbol of the heart represented love developed in the 15th century, and became popular in Europe during the 16th. Before the 14th century, the heart shape was not associated with the meaning of the heart metaphor. The geometric shape itself is found in much earlier sources, but in such instances does not depict a heart, but typically foliage: in examples from antiquity leaves, and in medieval iconography and heraldry typically the leaves of and of the.
One possible early use in the 11th century could be found in the manuscript, Al-Maqamat written. The manuscript includes an of a farewell greeting between two men while astride their camels, with the heart shape seen prominently over their heads. The first known depiction of a heart as a symbol of romantic love dates to the 1250s.
It occurs in a miniature decorating a capital 'S' in a manuscript of the French (National Library FR MS. 2086, plate 12). U-he hive upgrade. In the miniature a kneeling lover (or more precisely, an allegory of the lover's 'sweet gaze' or douz regart) offers his heart to a damsel. The heart here resembles a pine cone (held 'upside down', the point facing upward), in accord with medieval anatomical descriptions. However, in this miniature what suggests a heart shape is only the result of a lover's finger superimposed on an object; the full shape outline of the object is partly hidden, and therefore unknown.
Moreover, the French title of the manuscript that features the miniature translates into 'Novel Of The Pear' in English. Thus the heart shaped object would be a pear; the conclusion that a pear represents a heart is dubious. Opinions therefore differ over this being the first depiction of a heart as symbol of romantic love. In his 1305 painting in the shows an (caritas) handing her heart to. This heart is also depicted in the pine cone shape based on anatomical descriptions of the day (still held 'upside down'). Giotto's painting exerted considerable influence on later painters, and the motive of Caritas offering a heart is shown by in Santa Croce, by on the bronze door of the south porch of the Baptisterium in Florence (c. 1337), by in the Palazzo Publico in Siena (c.
1340) and by in Santa Maria Novella in Florence (c. The convention of showing the heart point upward switches in the late 14th century and becomes rare in the first half of the 15th century.The 'scalloped' shape of the now-familiar heart symbol, with a dent in its base, arises in the early 14th century, at first only lightly dented, as in the miniatures in Francesco Barberino's (before 1320). A slightly later example with a more pronounced dent is found in a manuscript from the monastery in Brussels (MS 4459–70, fol 192v. The convention of showing a dent at the base of the heart thus spread at about the same time as the convention of showing the heart with its point downward.
The modern indented red heart has been used on since the late 15th century.Various hypotheses attempted to connect the 'heart shape' as it evolved in the with instances of the geometric shape in antiquity. Such theories are modern, proposed from the 1960s onward, and they remain speculative, as no continuity between the supposed ancient predecessors and the late medieval tradition can be shown. Specific suggestions include: the shape of the seed of the plant, used in ancient times as a(n), and stylized depictions of features of the human female body, such as the female's, or spread. Renaissance and early modern Heart shapes can be seen on various reliefs and wall panels excavated from the ruins of, the capital (circa 90 BC – 637 AD).The was the that was designed for at the behest of Prince, in 1530, while Luther was staying at the Fortress during the. Luther wrote an explanation of the symbol to: 'a black cross in a heart, which retains its natural color, so that I myself would be reminded that faith in the Crucified saves us. 'For one who believes from the heart will be justified' ( 10:10).' The remains visible, as a protrusion at the top centered between the two 'chambers' indicated in the symbol, in some depictions of the Sacred Heart well into the 18th century, and is partly still shown today (although mostly obscured by elements such as a crown, flames, rays, or a cross) but the 'hearts' suit did not have this element since the 15th century.The heart symbol reached Japan with the of 1543 to 1614, as evidenced by an helmet (dated c.
1630), which includes both the rounded and indented forms of the heart symbol, representing the heart of, goddess of archers. Coat of arms of the, originating with (d. 1213) who married, daughter of, and therefore adopted the 'Danish tincture' to the arms of his father,.The earliest heart-shaped charges in heraldry appear in the 12th century; the hearts in the go back to the royal banner of the, in turn based on a seal used as early as the 1190s. However, while the charges are clearly heart-shaped, they did not in origin depict hearts, or symbolize any idea related to love. Instead they are assumed to have depicted the leaves of the. Early heraldic heart-shaped charges depicting the leaves of water-lilies are found in various other designs related to territories close to rivers or a coastline ( e.g. ).Inverted heart symbols have been used in heraldry as stylized ( coglioni in Italian) as in the of the family of Milan.A seal attributed to (of 1333) shows a heart shape, identified as the heart of.
The authenticity of this seal is 'very questionable', i.e. It could possibly date to the late 14th or even the 15th century.Heraldic charges actually representing hearts became more common in the, with the depicted in, and hearts representing love appearing in bourgeois coats of arms. Hearts also later became popular elements in municipal coats of arms.Botanical symbolism. Main article:There has been some conjecture regarding the link between the traditional heart symbol and images of the fruit of Silphium, a (probably) extinct plant known to and belonging to the genus, used as a condiment and medicine, (the medicinal properties including and activity, linking the plant to sexuality and love). Silver coins from the ancient Libya of the 6th - 5th BC bear images strongly reminiscent of the heart symbol, sometimes accompanied by images of the Silphium plant. The related Ferula species - which was actually used as an inferior substitute for Silphium - is regarded as an in and, suggesting yet a third amatory association relating to Silphium.
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- суббота 02 мая
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