“301” is the last album recorded by Esbjörn Svensson Trio, released on 30 March 2012. The album is their second released posthumously, after “Leucocyte”, as the pianist Esbjörn Svensson died in June 2008. It was recorded during the same sessions of the recording of “Leucocyte”, whilst the Swedish trio were touring around Asia and Australia. The disc is named after Studios 301 in Sydney where the album was recorded.
Before his death, Svensson was actually involved in the editing down of the sessions into what might have been a double album. In the end, surviving members Magnus Öström and Dan Berglund elected to delay the release of 301. Regular sound engineer Åke Linton was also a key presence in the recording, editing and mixing process.
Esbjorn Svensson Trio e.s.t. Live in London (2018) Official Digital Download 24bit/96kHz Esbjorn Svensson Trio - 301 (2012/2014) Official Digital Download 24bit/48kHz Esbjorn Svensson Trio - E.S.T. Symphony (2016) Official Digital Download 24bit/96kHz More posts: Esbjorn Svensson Trio. Top Posts & Pages.
In January 2007 e.s.t. were on tour in Asia and Australia performing shows in Tokyo, Osaka, Yokohama, Jakarta, Perth and Sydney. It was their third tour of Japan and their second time on the fifth continent and the venues and audiences had become noticeably bigger. Only a few weeks before they had finished their triumphant tour of Germany performing their now legendary “Live in Hamburg” concert (awarded ‘Album of the Decade’ by the London TIMES). It was undoubtedly the prime time of the style defining jazz band of the Noughties. Esbjörn Svensson, Magnus Öström and Dan Berglund decided to rent the famous Studio 301 in Sydney for their off-days in the middle of the Australian tour and jammed for two consecutive days to develop new songs and material. Altogether they recorded 9 hours of music. “Leucocyte” became the first release from this recording and has been praised by critics and fans alike as a ground-breaking work that leads into a new musical universe. Very soon after the recording Esbjörn Svensson had edited much of the material down to two albums. And so the plan at the time was to release either a double album or two consecutive albums from this recording. The untimely passing of Esbjörn Svensson then disrupted this undertaking and only one of the albums, “Leucocyte”, was released at the time. Three years on, in October and November 2011, Dan Berglund and Magnus Öström revisited the material from that recording and together with their regular sound engineer Ake Linton made their own edit for an album which is now called “301” on the basis of the name of the studio where the album was recorded.
Cutout or isolate objects using a proprietary matte generator or pick from a variety of color correctors and natural lighting effects to spice up your images.Power Matte is an easy-to-use interactive image matting tool capable of extracting almost any object in an image — even if you are dealing with fine hair detail, smoke, or reflections. Once a matte is extracted, the foreground object can be seamlessly composed onto a new background, and filter and image corrections can be applied only within the area defined by the matte.Designed with the creative workflow of colorists, film/video editors, graphic designers, and artists in mind, Power Stroke introduces a simple, interactive, stroke-based workflow to quickly and intuitively perform targeted adjustments. This extraction process creates what is known as a matte — essentially a black-and-white cutout. Instead of meticulously drawing exact masks, using inaccurate matte extractions, or hand painting frame to frame, regions of interest are isolated by drawing a few simple and loose After Effects open or closed masks. White matte areas are extracted, black areas not, and gray areas in between represent a level of transparency. Digital anarchy color theory 1.5 standard for machine.
Tracklist: 01 – Behind the Stars 02 – Inner City, City Lights 03 – The Left Lane 04 – Houston, The 5th 05 – Three Falling Free: Part I 06 – Three Falling Free: Part II 07 – The Childhood Dream
Produced by e.s.t. Recorded in January 2007 at Studio 301, Sydney, Australia.
Musicians: Esbjörn Svensson – grand piano, electronics, transistor radio Dan Berglund – double bass, electronics Magnus Öström – drums, electronics, voices
Download:
Стаж: 7 лет 8 месяцев
Сообщений: 91
Papashultz · 11-Май-18 07:51(2 года назад, ред. 05-Июл-18 18:12)
Esbjorn Svensson Trio / e.s.t. Live in London Жанр: Modern Jazz Страна исполнителя (группы): ACT Music Год издания: 2018 Аудиокодек: MP3 Тип рипа: tracks Битрейт аудио: 320 kbps Продолжительность: 01:45:50 Наличие сканов в содержимом раздачи: нет Треклист: CD 1 1. Tide of Trepidation (Live) 09:50 2. Eighty-Eight Days in My Veins (Live) 10:17 3. Viaticum (Live) 06:55 4. Mingle in the Mincing-Machine (Live) 14:22 5. In the Tail of Her Eye (Live) 07:13 6. The Unstable Table & the Infamous Fable (Live) 12:55 CD 2 1. When God Created the Coffeebreak (Live) 08:53 2. Behind the Yashmak (Live) 17:31 3. Believe, Beleft, Below (Live) 07:24 4. Spunky Sprawl (Live) 10:30
For many, e.s.t. (the Esbjörn Svensson Trio) were a truly seminal force in music. Translating the relative simplicity of a piano trio into an outfit which could energize the pulse or melt the heart with dewdrop tenderness, they spawned and influenced a generation of bands which followed. The Swedish friends broke down the barriers of genre with such conviction that non-jazzers were also drawn to their arguably unique synthesis of jazz, rock and classical sounds. So when pianist Esbjörn Svensson tragically died on 14 June 2008, there was profound grief – on an international scale. Bassist Dan Berglund and drummer Magnus Öström slowly began to pick up the shattered pieces, establishing new projects; and, because e.s.t. eschewed the status quo when it came to their albums releases and thrilling live shows, fans wondered what might still lie 'on the cutting room floor' or, more likely, have been lovingly archived by ACT Music’s boss Siggi Loch and sound engineer Åke Linton. Two completely improvised studio albums, Leucocyte and 301 (released after Svensson’s untimely death), offered a glimpse of where the trio were heading next, and the recent E.S.T. Symphony project realised the influential pianist’s orchestral vision for their compositions. Eleven studio recordings provide an astonishing legacy (interesting to revisit and recall just how revolutionary they sounded through the ‘90s into the ‘noughties’) and concerts were special, drawing huge, attentive crowds. Their early E.S.T. Live ’95 and especially 2007’s acclaimed double album E.S.T. Live in Hamburg captured something of that essence, particularly how they intuitively developed improvisation beyond usual studio-album confines. Now, poignantly coinciding with the centenary of Esbjörn’s passing, e.s.t. live in London is unveiled, garnered from their sell-out 2005 gig at London’s Barbican Centre. It’s a 106-minute immersion into their Strange Place for Snow (2002), Seven Days of Falling (2003) and Viaticum (2005) period – when the world outside of Scandinavia also began to take note of this rising phenomenon; and significantly, for enthusiasts, only one of these ten tracks has appeared on the previous live issues. Even with an expectation of the alchemy between Svensson, Berglund and Öström, the spine-tingling magic is still apparent, particularly under close scrutiny. Touring the Viaticum material at this point (five of its tracks fill most of the first of two CDs), a rapturous welcome heralds Tide of Trepidation, its ominously-building groove falling away to spotlight Svensson’s incredible focus at the grand piano – easy to imagine him hunched low over the keyboard, rocking as he sensitively summons and crafts each new idea. Eighty-Eight Days in My Veins’ memorable, pulsating melodies (driven by Berglund’s electrified arco bass and Östrom’s distinctive percussive rhythms) inspire babbling high-wire piano, contrasted by Viaticum’s lachrymose poise and the charming lounge-jazz ‘easy’ of In the Tail of Her Eye. Both Mingle in the Mincing-Machine and The Unstable Table & the Infamous Fable (Öström was reportedly the main creative on titles) stretch out to display the whole panoply of e.s.t.’s mercurial character. The 17-minute Behind the Yashmak is complemented by the simple, reverential beauty of Believe, Beleft, Below – a favourite, whose original also had an alternative version with lyric, which Svensson interprets here as if discovering for the very first time. This second CD is bookended by popular showstoppers: the Bachian wonder of When God Created the Coffeebreak, with its breathtakingly rapid, extended ground bass shared by Svensson and Berglund; and the delicious exuberance of the bluesy, piano-rag-like Spunky Sprawl clearly delights the audience (throughout this album, there’s just enough ambience to share in the live experience). It’s not unheard of for jazz piano trios to lack progression or originality, ploughing a similar furrow year on year. But with e.s.t., there was always the sense of leaping ahead over conventional boundaries, each new release or gig intoducing engaging sonic blends, all delivered with enthralling technical prowess. For aficionado or newcomer, e.s.t. live in London has it all, in glorious technicolor. Released this Friday, 11 May, from ACT Music.
Esbjörn Svensson piano Dan Berglund double bass Magnus Öström drums
papa1954
First pdf with latex and sublime text 2 for mac. Стаж: 13 лет 2 месяца
Сообщений: 17525
papa1954 · 29-Май-18 09:49(спустя 18 дней, ред. 29-Май-18 09:49)
75332819(Modern Jazz) Esbjörn Svensson Trio - e.s.t. Live in London - 2018, MP3, 320 kbps
Умляут в названии темы или уберите или продублируйте. Уберите из раздачи мусорный файли перезалейте торрент-файл. !не оформлено
papa1954
Стаж: 13 лет 2 месяца
Сообщений: 17525
papa1954 · 01-Июн-18 10:05(спустя 3 дня)
75332819(Modern Jazz) Esbjörn Svensson Trio - e.s.t. Live in London - 2018, MP3, 320 kbps
Умляут в названии темы или уберите или продублируйте. Уберите из раздачи мусорный файли перезалейте торрент-файл. !не оформлено
susel
Стаж: 13 лет 1 месяц
Сообщений: 150
susel · 19-Апр-19 15:19(спустя 10 месяцев)
Главная»Джазовая и Блюзовая музыка»Зарубежный джаз»Зарубежный джаз (lossy)
